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  • WhypLog is the painter’s log of Timothy Joseph Allen. He started this blog because he believes profoundly that a discussion and analysis of techniques, materials, concepts and quality in oil painting should defy the unreasonable. He lives and paints in Rome, Italy. For a look at his art, please visit www.americanartistinrome.com
  • BibliographyTempting to call this “Books I Wish I had Known about Sooner.” But then, we should remember: sometimes books don’t find you until you are ready. Browse at your own risk. [table id=1 /] [table id=2 /]
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tja

About tja

This author has not written his bio yet.
But we are proud to say that tja contributed 117 entries already.

Entries by tja

A Recent Look at Las Meninas

November 8, 2010/0 Comments/in Masters/by tja

A Spanish documentary interviews several local experts about the myths behind the masterpiece.  Worth watching for all you “V-philes”; my Italian helped me follow most  of it.

The Drying Time of your Paint & How to Use Cobalt Siccative

November 3, 2010/5 Comments/in Materials/by tja

Drying time is something that I’ve rarely had to worry about over the years, mainly because I had the time I needed.  But lately I’ve found it necessary to know more about drying times and, in particular, sometimes speed them up.

“Any Fool Can Rough It”

October 1, 2010/0 Comments/in Travels and Museums/by tja

– Nigel Dundas, on the art of safari, September, 2010, Kenya. Now apply that to painting.

“Getting Started”

September 7, 2010/0 Comments/in Techniques/by tja

Going through some emails today I came across this gem sent from my Dad: The secret of getting ahead is getting started. The secret of getting started is breaking the overwhelming complex task into small manageable tasks. Then, start with the very first one. Mark Twain American Humorist, Writer, & Lecturer (1835-1910)

“The Mona Lisa Curse”

September 6, 2010/0 Comments/in History/by tja

This was just passed along to me from a friend in London: “The Mona Lisa Curse” by Robert Hughes Worth watching, but I can’t help asking: “Mr. Hughes, were you not one of those who tinkered with the levee?”

Notes on “The Ghosts of Cannae”

September 2, 2010/0 Comments/in Book Notes, History/by tja

P8 – “Verisimilitude is not truth, just the appearance of truth.” P12 – “Mark Twain seemed to have gotten it about right when he concluded that although history doesn’t repeat itself, it does sometimes rhyme.”  Twain may have said that… but Twain also has the “Periodic Law of Repetition.  See Letters from the Earth. P42 […]

“Having a Life and Not a Career”

August 16, 2010/0 Comments/in Interviews, Writers/by tja

Most bizarre: I was re-watching the recent clip of Christopher Hitchens speaking with Andersen Cooper and I thought, good interview, then thought, speaking of good interviews, what’s Charlie Rose doing these days?… and there Charlie was with Christopher! A must watch: Charlie Rose interviews Christopher Hitchens about his new memoir and his battle with cancer.

“No Explanation, Nor Apology”

August 16, 2010/0 Comments/in Book Notes/by tja

Anyone can learn to paint and to analyze physical truths as facts, but few have the power of self-analysis.  The artist must first be a dreamer, and then a sane analyzer of those dreams.  Again, “There can be no expression without previous impression.” Learn to discern the exact boundary between synthetic re-creation, suggestion, and mere […]

“By Going Wrong, I Began to Work Out How to Go Right”

August 13, 2010/2 Comments/in Art = Math, Writers/by tja

Today on the train ride back to Rome from Puglia I caught up on some podcast listening, including a Fresh Air episode featuring the writer, David Mitchell.  The title of the post is the quote from Mr. Mitchell early in the interview that quickly spun me into a time-traveling* train-ride rapture.  How divine when discussion […]

pLog Pith VI

August 10, 2010/0 Comments/in Book Notes, pLog Pith/by tja

It is this deep sincerity, this deep appreciation of the significance of things that makes one picture great among a thousand lesser ones, and causes us to feel, when we behold it, that we have thought and felt that way all our lives. – John F. Carlson, from Carlson’s Guide to Landscape Painting, circa 1929.

“A Candle Burned at Both Ends…”

August 7, 2010/0 Comments/in Writers/by tja

…Makes a Lovely Light. Seeing Hitchens like this breaks my heart.

“A Superior Order of Beings” – Public Taste & the Arts

July 30, 2010/3 Comments/in Book Notes/by tja

The present generation appears to be composed of a new, and, at least with respect to the arts, a superior order of beings.  Generally speaking, their thoughts, their feelings, and language on these subjects, differ entirely from what they were sixty years ago.  No just opinions were at that time entertained on the merits of […]

Sargent and the Sea

July 23, 2010/1 Comment/in Travels and Museums/by tja

New show at the Royal Academy of Arts in London.

Everybody Wants Some

July 17, 2010/0 Comments/in Masters/by tja

News in Italy today that there is a newly discovered Caravaggio. I’ve seen an image… and that most definitely is not a Caravaggio.

Sfumato = 30 Layers?

July 17, 2010/0 Comments/in Masters, Techniques/by tja

French Scientists Crack Secrets Of ‘Mona Lisa’

“Bianco di San Giovanni”

July 14, 2010/1 Comment/in Materials, Techniques/by tja

Bianco di San Giovanni is considered the white pigment par excellence for fresco painting. It is used also in tempera and grounds while it is not advised in oil and encaustic painting techniques.

“Old Masters & Modern Science”

July 13, 2010/1 Comment/in Masters, Travels and Museums/by tja

Review of the show “Close Examination: Fakes, Mistakes and Discoveries,” by Michael Kimmelman of the New York Times in London.

The Calling of Someone at the Table

July 11, 2010/0 Comments/in Essays and Enquiries, Masters/by tja

A painter’s analysis of Caravaggio’s Calling of Saint Matthew by Timothy Joseph Allen. Written as a response to my late great colleague Professor Terry Kirk in December, 2006.  Published on pLog July, 2010. Terry, your analysis and interpretation of this painting is intriguing.  I especially like your idea about pinpointing the exact moment in time […]

Caravaggio Techniques and the Camera Obscura

July 7, 2010/3 Comments/in Masters, Techniques/by tja

Today I had a lively in-studio conversation with friend, colleague and restorer Eowyn Kerr on Caravaggio, his technique (did he glaze?) and why a painter should never underestimate the potential of a good table cloth.  She was even kind enough to make for me a lovely sketch on how to understand the cross-section of a […]

pLog Pith V

July 5, 2010/0 Comments/in pLog Pith/by tja

If you want Warhol walk the aisle of a supermarket If you want Koons watch VHS porn If you want Hirst visit the morgue But If you want Caravaggio build a bonfire in a cave If you want Velazquez plan a trip to the moon with a sliderule If you want da Vinci hike the […]

A Story About Jan

July 4, 2010/0 Comments/in Art = Math, Essays and Enquiries/by tja

Here is what happened: I just listened to the story on NPR about Plato, which mentions Pythagoras, which makes me think “Art = Math”, which makes me think Velazquez, then Las Meninas, then I remembered mentioning that in a short story I wrote while rafting through the Grand Canyon in 2008. Here is that story: […]

Pythagoras and Plato

July 4, 2010/0 Comments/in Art = Math/by tja

A musical message in the works of Plato? http://www.npr.org/templates/story/story.php?storyId=128290660

Michelangelo’s Brain

June 29, 2010/0 Comments/in Masters/by tja

Concealed Neuroanatomy in Michelangelo’s Separation of Light From Darkness in the Sistine Chapel

pLog Pith IV

June 24, 2010/0 Comments/in pLog Pith/by tja

Da Vinci tells us to take a 2 dimensional surface and make it 3 dimensional. Modernism took a 2 dimensional surface and made it 1 dimensional. – TJA

More V for Vermilion & the “Beads on a Duck’s Back”

June 2, 2010/2 Comments/in Materials/by tja

I just spoke with the Michael Harding himself.  First impression: a  most affable and generous gentleman.  Here’s what I asked… and what I’ve learned.  Note: I’m paraphrasing our conversation.  I would hate to try and quote him only to have someone call him and say “but I read some where that you said the following blah, blah, […]

V for Vermilion

May 30, 2010/2 Comments/in Materials/by tja

Much to my delight, it arrived yesterday: Michael Harding’s “Genuine Chinese Vermilion”.  I never knew a 40 ml tube could be so heavy. First Question: just how poisonous is Mercuric Sulphide? More reports to follow…

pLog Pith III

April 2, 2010/0 Comments/in pLog Pith/by tja

Socrates said you are only educated when you’ve understood how ignorant you are.  You can only find that out by questioning and doubting all the time. – Christopher Hitchens, in a recent debate with Rabi David Wolpe.

pLog Pith II

March 31, 2010/0 Comments/in pLog Pith/by tja

You can play bloodhound for months on end and always discover something new. – Christoph Waltz during an interview with Charlie Rose, talking about his role in Quentin Tarantino’s Inglourious Basterds Name a painting that has the same effect.

Page 4 of 512345

Research Resources

  • archive.org
  • GalleriX
  • Google Art Project
  • Inspirational Artworks
  • Lala Ragimov Archive of Old Treatises on Drawing and Painting
  • MFA Boston: Cameo
  • Oil Color Palettes
  • Wikigallery
  • Wikimedia Commons
  • Winsor & Newton 19th Century Database

Research Resources

  • archive.org
  • GalleriX
  • Google Art Project
  • Inspirational Artworks
  • Lala Ragimov Archive of Old Treatises on Drawing and Painting
  • MFA Boston: Cameo
  • Oil Color Palettes
  • Wikigallery
  • Wikimedia Commons
  • Winsor & Newton 19th Century Database

Tags

Alberti Art of Rome Bianco di San Giovanni Camera Obscura Caravaggio Carolus-Duran Charles Weed Christopher Hitchens Christopher Waltz David Mitchell da Vinci Gilbert Stuart Grand Canyon Harrington Mann Igor Stravinsky John Burnet John F. Carlson José Ortega y Gasset Kremer landscape Mark Twain Michael Harding Michelangelo Moreau-Vauthier Natural Pigments New York Times Odd Nerdrum PADASOR Painting and Drawing Art Studio of Rome Pip Seymour Plato portrait Pythagoras Rembrandt Reynolds Roberta Lapucci Sargent Sinking In Terry Kirk Titian tja Van Dyck Velázquez Vermilion Virgil Elliot

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Recent Comments

  • Caravaggio and the Art of Subversion – Timothy Joseph Allen on Seeing is Believing: Caravaggio’s Conversion of Saul, Formal Analysis and Critical Thinking
  • The Palette of Velazquez - The Painting & Drawing Art Studio of Rome on The Library of Velazquez
  • The Palette of Velazquez - The Painting & Drawing Art Studio of Rome on Notes on R.A.M. Stevenson’s Velázquez
  • La Tavolozza di Velázquez - The Painting & Drawing Art Studio of Rome on Notes on R.A.M. Stevenson’s Velázquez
  • Juraj on Pigment Analysis in Paintings: Titian, Velazquez, Rembrandt
  • tja on Why Your Paint and Medium Sometimes Doesn’t Stick: The Beading on Your Canvas and How to Fix It
  • motro on The Library of Velazquez
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