“Old Masters & Modern Science”
Review of the show “Close Examination: Fakes, Mistakes and Discoveries,” by Michael Kimmelman of the New York Times in London.
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Recent Posts
- “Sinking In” – When Oil Paint Dries Dull and Matte on the Canvas and Why December 29, 2018
- Anthonis Mor: Technical Info on the National Portrait Gallery Website December 10, 2018
- From the Graveyard: Formulas for Flesh – Part I: Caravaggio, Guercino, Reni and Caracci August 19, 2018
- pLog Pith XVII August 19, 2018
- Pigment Analysis in Paintings: Titian, Velazquez, Rembrandt April 20, 2018
Recent Comments
- La Tavolozza di Velázquez - The Painting & Drawing Art Studio of Rome on The Library of Velazquez
- Caravaggio and the Art of Subversion – Timothy Joseph Allen on The Calling of Someone at the Table
- Caravaggio and the Art of Subversion – Timothy Joseph Allen on Seeing is Believing: Caravaggio’s Conversion of Saul, Formal Analysis and Critical Thinking
- The Palette of Velazquez - The Painting & Drawing Art Studio of Rome on The Library of Velazquez
- The Palette of Velazquez - The Painting & Drawing Art Studio of Rome on Notes on R.A.M. Stevenson’s Velázquez
- La Tavolozza di Velázquez - The Painting & Drawing Art Studio of Rome on Notes on R.A.M. Stevenson’s Velázquez
- Juraj on Pigment Analysis in Paintings: Titian, Velazquez, Rembrandt
- tja on Why Your Paint and Medium Sometimes Doesn’t Stick: The Beading on Your Canvas and How to Fix It
- motro on The Library of Velazquez
- tja on Is Burnt Umber Evil?
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