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News
- Decoding Caravaggio: Bridging the Gap between Technical Analysis, Theory and PerformanceJune 18, 2024 - 10:19 am
- Investigating Caravaggio: What Can Technical Analysis Tell us about Technique?May 6, 2024 - 11:36 am
- Group Painting Exhibition: “Seeing is Believing”March 4, 2024 - 12:37 pm
- Together We Art: an Upcoming Exhibition and Silent Auction for the Life Project 4 YouthOctober 9, 2022 - 4:39 pm
- Painting the Portrait in Oil from Life at The American University of RomeOctober 5, 2022 - 8:59 pm
Recent Work
- La Veduta da BarsentoSeptember 5, 2024 - 12:24 pm
- Evening by the SeaSeptember 5, 2024 - 11:38 am
- The Argentiera on August 11th, 2024September 5, 2024 - 11:35 am
- Path along the ArgentieraSeptember 5, 2024 - 11:30 am
- Just after the Sun Fell on August 18th, 2024September 5, 2024 - 11:21 am
- Sunfall on Castro MarinaSeptember 5, 2024 - 11:10 am
- Lost HorizonSeptember 5, 2024 - 10:30 am
PADASOR
- Courses Announced for Fall 2024 September 2, 2024
- Learning to Draw and Paint: an Educational Odyssey August 24, 2023
- Painting the Self-Portrait with Nick Chaundy: Mirrors and Magic August 17, 2023
- Intensive Workshop with Charles Weed: April 24 – 28, 2023 January 8, 2023
- Chariots in the Sky: Leonid Ilyukhin Presented the Development of his Ceiling Painting in Villa Falconieri November 18, 2022
pLog
- “To Excel the Past…” May 15, 2024
- “Last Words” on Painting March 27, 2024
- Trans Oxides vs. Siennas January 29, 2024
- The Flat Tint January 28, 2024
- Yarn Weaving October 12, 2023
- pLog Pith XVIII November 6, 2022