{"id":379,"date":"2011-03-18T23:51:29","date_gmt":"2011-03-18T21:51:29","guid":{"rendered":"http:\/\/www.americanartistinrome.com\/plog\/?p=379"},"modified":"2011-03-20T01:36:13","modified_gmt":"2011-03-19T23:36:13","slug":"the-library-of-velazquez","status":"publish","type":"post","link":"https:\/\/www.americanartistinrome.com\/plog\/2011\/03\/18\/the-library-of-velazquez\/","title":{"rendered":"The Library of Velazquez"},"content":{"rendered":"<p>Often before I leave on a trip I print and assemble a packet of articles to read along the way. \u00a0In the Summer of 2010 I collected a series of essays and investigations on Velazquez. \u00a0These included:<\/p>\n<ul>\n<li>&#8220;Sargent after Velazquez&#8221; by Richard Ormond and Mary Pixley pulished in<em> The Burlington Magazine <\/em>in September of 2003;<\/li>\n<li>&#8220;Velazquez as Connoisseur&#8221; by Enriqueta Harris published in <em> The Burlington Magazine <\/em> in July of 1982;<\/li>\n<li>&#8220;Two Letters from Camillo Massimi to Diego Velazquez&#8221; by Jose&#8217; Luis Colomer and Enriqueta Harris published in <em> The Burlington Magazine <\/em> in August of 1994;<\/li>\n<li>&#8220;Velazquez&#8217;s Portrait of Camillo Massimi&#8221; by Enriqueta Harris published in <em> The Burlington Magazine <\/em> in August of 1958;<\/li>\n<li>&#8220;Velazquez and the Queen of Hungary&#8221; by Enriqueta Harris and John Elliott published in T<em> The Burlington Magazine <\/em>published in January of 1976;<\/li>\n<li>&#8220;The Problem of Velazquez&#8217;s Drawings&#8221; by Gridley McKim-Smith published in <em>Master Drawings<\/em>, Vol. 18, No. 1 in the Spring of 1980.<\/li>\n<\/ul>\n<p>But there was one last essay that revealed a piece of information I found intriguing to the point of intoxication&#8230;\u00a0and have headily dwelt on it these past several months. \u00a0In fact, I&#8217;ve even written (via email) to the Prado museum asking for further information. \u00a0I have yet to get an answer.<\/p>\n<p>The work is entitled &#8220;New Facts About Velazquez,&#8221; written by F. J. Sanchez Cant\u00f3n and published in <em>The Burlington Magazine<\/em> in December of 1945. \u00a0(If you are wondering how I got so much material regarding <em>The Burlington Magazine<\/em>, check out your friendly neighborhood JSTOR.) \u00a0In it, the author reveals that upon Velazquez&#8217;s death, an inventory was taken of his worldly belongings, which included his library. \u00a0Mr. Sanchez Cant\u00f3n had the opportunity to view this inventory in 1925 and then goes on to say: &#8220;In 1942, I succeeded in publishing the inventory in full.&#8221;<\/p>\n<p>Despite my reasonable research skills, I have not yet found this.<\/p>\n<p>However&#8230;<\/p>\n<p><!--more-->The paragraphs above were written and saved as a draft near the end of November 2010. \u00a0As it happened, on December 8th I sent another request for a complete inventory to the Prado and on December 9th they replied:<\/p>\n<blockquote><p>Dear Mr. Allen<\/p>\n<p>There was an exhibition about the library of Vel\u00e1zquez in Sevilla in 1999. The catalogue is:<\/p>\n<p>De la pintura y las letras: la biblioteca de Vel\u00e1zquez \/ Pedro Ruiz P\u00e9rez. &#8212; Sevilla : Junta de Andaluc\u00eda, Consejer\u00eda de Cultura, 1999. &#8211; 261 p. : il. ; 26 cm. &#8211;<\/p>\n<p>Cat\u00e1logo de la exposici\u00f3n bibliogr\u00e1fica celebrada en Sevilla, Casa de Murillo con motivo del A\u00f1o de Vel\u00e1zquez, 1999<\/p>\n<p>ISBN 84-8266-109-4[T023]<\/p>\n<p>You can find also in Internet a list of the inventory of the books: http:\/\/www.juntadeandalucia.es\/cultura\/iaph\/sys\/productos\/Velazquez\/<br \/>\nvelazquezSevilla\/documentos\/bibliotecaDeVelazquez.html<\/p>\n<p>Best wishes<\/p>\n<p>Biblioteca del Museo Nacional del Prado<\/p><\/blockquote>\n<p>Copied below is the complete inventory of the library of\u00a0Vel\u00e1zquez from the juntadeandalucia website:<\/p>\n<h2>La biblioteca de Vel\u00e1zquez<\/h2>\n<p>Seg\u00fan el &#8220;Inventario de Bienes que dejaron a su muerte D. Diego de Silva Velazquez y su mujer D Juana Pacheco&#8221; la biblioteca del maestro reun\u00eda una larga lista de vol\u00famenes en los que se recog\u00edan las principales obras usadas por el pintor en su taller. M\u00e1s de 150 libros son recogidos en este inventario, lo que da una idea de la importancia de su biblioteca y el habitual uso que el maestro debi\u00f3 hacer de ella.<\/p>\n<p>Los vol\u00famenes seg\u00fan la numeraci\u00f3n del inventario de sus bienes son los siguientes:<\/p>\n<ul>\n<li>\n<div>412. &#8211; Primeramente un libro que se intitula Cronica del mundo, italiano.<\/div>\n<\/li>\n<li>\n<div>413. &#8211; Summa e arismetica en italiano antiguo.<\/div>\n<\/li>\n<li>\n<div>414. &#8211; Juan de Arce, Varia Commesuraci\u00f3n de a folio.<\/div>\n<\/li>\n<li>\n<div>415. &#8211; Antonio Buscon, De Architectura italiano.<\/div>\n<\/li>\n<li>\n<div>416. &#8211; Historia Natural de Plinio, italiano.<\/div>\n<\/li>\n<li>\n<div>417. &#8211; De fortificacion cat. Yomo Castrioro.<\/div>\n<\/li>\n<li>\n<div>418. &#8211; Libro de fortificaci\u00f3n en italiano de a folio.<\/div>\n<\/li>\n<li>\n<div>419. &#8211; Vitrubio de Arquitectura.<\/div>\n<\/li>\n<li>\n<div>420. &#8211; Matem\u00e1tica de Aguilon.<\/div>\n<\/li>\n<li>\n<div>421. &#8211; Galasso Matematica en dos tomos.<\/div>\n<\/li>\n<li>\n<div>422. &#8211; Architectura de Vicencio Escamacio beneciano.<\/div>\n<\/li>\n<li>\n<div>423. &#8211; Alberto Durero, Simetria italiano.<\/div>\n<\/li>\n<li>\n<div>424. &#8211; Cataneo de Architectura italiano.<\/div>\n<\/li>\n<li>\n<div>425. &#8211; Jeometria de Bitelono.<\/div>\n<\/li>\n<li>\n<div>426. &#8211; Diosc\u00f3rides de yerbas para botica.<\/div>\n<\/li>\n<li>\n<div>427. &#8211; Architectura de Leon Alberti.<\/div>\n<\/li>\n<li>\n<div>428. &#8211; Sebastian Serlio, Architectura.<\/div>\n<\/li>\n<li>\n<div>429. &#8211; Juan Bautista Penedile de Reloges de sol.<\/div>\n<\/li>\n<li>\n<div>430. &#8211; Libro de plantas de architectura de las cinco ordenes.<\/div>\n<\/li>\n<li>\n<div>431. &#8211; Subterr\u00e1nea Roma italiano.<\/div>\n<\/li>\n<li>\n<div>432. &#8211; Antonio Labaco Architectura.<\/div>\n<\/li>\n<li>\n<div>433. &#8211; Vitrubio, Architectura.<\/div>\n<\/li>\n<li>\n<div>434. &#8211; Lipo Galio de Arte m\u00fasica.<\/div>\n<\/li>\n<li>\n<div>435. &#8211; Cartas de marear del mar de occidente.<\/div>\n<\/li>\n<li>\n<div>436. &#8211; Juan Sebastian Montano de Architectura.<\/div>\n<\/li>\n<li>\n<div>437. &#8211; De la transportacion de los obeliscos de Roma.<\/div>\n<\/li>\n<li>\n<div>438. &#8211; Sebastian Serlio, De portadas.<\/div>\n<\/li>\n<li>\n<div>439. &#8211; Jaque Pobesonio de Maquinas.<\/div>\n<\/li>\n<li>\n<div>440. &#8211; Geometr\u00eda pr\u00e1ctica.<\/div>\n<\/li>\n<li>\n<div>441. &#8211; Fabrica del mundo italiano.<\/div>\n<\/li>\n<li>\n<div>442. &#8211; Idea de pintores y escultores, italiano.<\/div>\n<\/li>\n<li>\n<div>443. &#8211; De Fissonomia.<\/div>\n<\/li>\n<li>\n<div>444. &#8211; Astronomia de Moya.<\/div>\n<\/li>\n<li>\n<div>445. &#8211; Iconolog\u00eda de Peregrino.<\/div>\n<\/li>\n<li>\n<div>446. &#8211; Cosmograf\u00eda de Dedro Apiano.<\/div>\n<\/li>\n<li>\n<div>447. &#8211; Cosimo del modo de mensurar la distancia.<\/div>\n<\/li>\n<li>\n<div>448. &#8211; Elementos de Euclides.<\/div>\n<\/li>\n<li>\n<div>449. &#8211; Astrolabio de Crist\u00f3folo Flauro.<\/div>\n<\/li>\n<li>\n<div>450. &#8211; Matem\u00e1tica de Pedro Cataneo.<\/div>\n<\/li>\n<li>\n<div>451. &#8211; Arismetica del abad Jorge de la Pacaja.<\/div>\n<\/li>\n<li>\n<div>452. &#8211; Discurso de la religion antigua romana italiano.<\/div>\n<\/li>\n<li>\n<div>453. &#8211; Repertorio de los tiempos por Ger\u00f3nimo Chaves.<\/div>\n<\/li>\n<li>\n<div>454. &#8211; Quiromancia de Juan Taisnier.<\/div>\n<\/li>\n<li>\n<div>455. &#8211; Libro de pintura y su antiguedad.<\/div>\n<\/li>\n<li>\n<div>456. &#8211; Guerras de Flandes de Pompeyo Justiniano.<\/div>\n<\/li>\n<li>\n<div>457. &#8211; Nautica del mar Mediterraneo de Bartolom\u00e9 Crecencio.<\/div>\n<\/li>\n<li>\n<div>458. &#8211; Noticia de las artes liberales.<\/div>\n<\/li>\n<li>\n<div>459. &#8211; Architectura militar de Gabriel de Busca.<\/div>\n<\/li>\n<li>\n<div>460. &#8211; De la santidad de Roma.<\/div>\n<\/li>\n<li>\n<div>461. &#8211; Perspectivas de Euclides.<\/div>\n<\/li>\n<li>\n<div>462. &#8211; Perspectivas de Daniel Barvaro.<\/div>\n<\/li>\n<li>\n<div>463. &#8211; Arismetica de Moya.<\/div>\n<\/li>\n<li>\n<div>464. &#8211; Vitruvio de Architectura.<\/div>\n<\/li>\n<li>\n<div>465. &#8211; Composicion del cuerpo humano por Juan de Valverde.<\/div>\n<\/li>\n<li>\n<div>466. &#8211; Serguio, De Architectura.<\/div>\n<\/li>\n<li>\n<div>467. &#8211; Numeros y medidas.<\/div>\n<\/li>\n<li>\n<div>468. &#8211; Nicolao Tartalia en italiano.<\/div>\n<\/li>\n<li>\n<div>469. &#8211; Vitruvio, Architectura en italiano.<\/div>\n<\/li>\n<li>\n<div>470. &#8211; Juan Antonio Buscon, Architectura.<\/div>\n<\/li>\n<li>\n<div>471. &#8211; Quinto Curcio, en Romance.<\/div>\n<\/li>\n<li>\n<div>472. &#8211; Pol\u00edtica de Arist\u00f3teles italiano.<\/div>\n<\/li>\n<li>\n<div>473. &#8211; Philosophia secreta de Moya.<\/div>\n<\/li>\n<li>\n<div>474. &#8211; Cristoflo Clavio de Reloges.<\/div>\n<\/li>\n<li>\n<div>475. &#8211; Arte melitar de don Carlos Boniers.<\/div>\n<\/li>\n<li>\n<div>476. &#8211; Rolando furioso italiano.<\/div>\n<\/li>\n<li>\n<div>477. &#8211; Antiguedades de Sevilla.<\/div>\n<\/li>\n<li>\n<div>478. &#8211; Andr\u00e9 Palladio de Architectura.<\/div>\n<\/li>\n<li>\n<div>479. &#8211; De la passion de Nuestro Se or de Lucas de Soria.<\/div>\n<\/li>\n<li>\n<div>480. &#8211; Algebra de Pedro Nu es.<\/div>\n<\/li>\n<li>\n<div>481. &#8211; Marco Antonio Canuos Gobierno Universal de su mre.<\/div>\n<\/li>\n<li>\n<div>482. &#8211; Petrarca italiano.<\/div>\n<\/li>\n<li>\n<div>483. &#8211; Estado de republica, italiano.<\/div>\n<\/li>\n<li>\n<div>484. &#8211; Cassa otomana, italiano.<\/div>\n<\/li>\n<li>\n<div>485. &#8211; Geometr\u00eda pr\u00e1ctica.<\/div>\n<\/li>\n<li>\n<div>486. &#8211; Repertorio de los tiempos.<\/div>\n<\/li>\n<li>\n<div>487. &#8211; De conservar la salud, italiano.<\/div>\n<\/li>\n<li>\n<div>488. &#8211; Modo de al\u00e7ar el agua, italiano.<\/div>\n<\/li>\n<li>\n<div>489. &#8211; Cortejio de Castillin, en italiano.<\/div>\n<\/li>\n<li>\n<div>490. &#8211; Especularia, en italiano.<\/div>\n<\/li>\n<li>\n<div>491. &#8211; Marco Aurelio Alem\u00e1n. Arismetica.<\/div>\n<\/li>\n<li>\n<div>492. &#8211; Figuras de la Biblia.<\/div>\n<\/li>\n<li>\n<div>493. &#8211; C\u00e9spedes de Geometr\u00eda.<\/div>\n<\/li>\n<li>\n<div>494. &#8211; M\u00e1quinas de Guido de Obarido, italiano.<\/div>\n<\/li>\n<li>\n<div>495. &#8211; Modo de andar a caballo, italiano.<\/div>\n<\/li>\n<li>\n<div>496. &#8211; Emperadores romanos.<\/div>\n<\/li>\n<li>\n<div>497. &#8211; Divisi\u00f3n de superficies, italiano.<\/div>\n<\/li>\n<li>\n<div>498. &#8211; Summa Astrol\u00f3gica.<\/div>\n<\/li>\n<li>\n<div>499. &#8211; Di\u00e1logos de la Medicina.<\/div>\n<\/li>\n<li>\n<div>500. &#8211; Philosophia antigua.<\/div>\n<\/li>\n<li>\n<div>501. &#8211; Sue o del marques de Mondejar y Malpica.<\/div>\n<\/li>\n<li>\n<div>502. &#8211; Thesorero de los pobres.<\/div>\n<\/li>\n<li>\n<div>503. &#8211; Perspectiva de Euclides.<\/div>\n<\/li>\n<li>\n<div>504. &#8211; Escritura y Pintura de Bonarrota.<\/div>\n<\/li>\n<li>\n<div>505. &#8211; Teatro de Ynstrumentos.<\/div>\n<\/li>\n<li>\n<div>506. &#8211; Esfera del Mundo.<\/div>\n<\/li>\n<li>\n<div>507. &#8211; Aritmetica de Joseph Unicornio, italiano.<\/div>\n<\/li>\n<li>\n<div>508. &#8211; Baptista Alberto, italiano.<\/div>\n<\/li>\n<li>\n<div>509. &#8211; Arte de la Ballester\u00eda de Alonso Martinez.<\/div>\n<\/li>\n<li>\n<div>510. &#8211; Apusen los Morales, italiano.<\/div>\n<\/li>\n<li>\n<div>511. &#8211; Euclides fil\u00f3sofo.<\/div>\n<\/li>\n<li>\n<div>512. &#8211; Vida de excelentes pintores, italiano.<\/div>\n<\/li>\n<li>\n<div>513. &#8211; Geograf\u00eda de Claudio Polomeo, italiano.<\/div>\n<\/li>\n<li>\n<div>514. &#8211; Vida de excelentes pintores, italiano.<\/div>\n<\/li>\n<li>\n<div>515. &#8211; Im\u00e1genes de los Cesares de Roma.<\/div>\n<\/li>\n<li>\n<div>516. &#8211; Antonio Fineo, Aritm\u00e9tica.<\/div>\n<\/li>\n<li>\n<div>517. &#8211; Yrotejnia, italiano.<\/div>\n<\/li>\n<li>\n<div>518. &#8211; Botica de Arist\u00f3teles.<\/div>\n<\/li>\n<li>\n<div>519. &#8211; Materia de Architectura.<\/div>\n<\/li>\n<li>\n<div>520. &#8211; Uso de la f\u00e1brica del Astrolabio.<\/div>\n<\/li>\n<li>\n<div>521. &#8211; Vida de diferentes pintores.<\/div>\n<\/li>\n<li>\n<div>522. &#8211; Historia Natural de Plinio, italiano.<\/div>\n<\/li>\n<li>\n<div>523. &#8211; Arte de la escultura y la pintura de Bonarrota.<\/div>\n<\/li>\n<li>\n<div>524. &#8211; Hedades antiguas, italiano.<\/div>\n<\/li>\n<li>\n<div>528. &#8211; Esfera del Universo.<\/div>\n<\/li>\n<li>\n<div>529. &#8211; Vocabulario de Antonio.<\/div>\n<\/li>\n<li>\n<div>530. &#8211; Descripci\u00f3n de San Lorenzo el Real.<\/div>\n<\/li>\n<li>\n<div>531. &#8211; Templo de Salom\u00f3n y mapas de la Iglesia.<\/div>\n<\/li>\n<li>\n<div>532. &#8211; Practica de perspectiva, italiano.<\/div>\n<\/li>\n<li>\n<div>533. &#8211; Jacomo Barrocio de Architectura.<\/div>\n<\/li>\n<li>\n<div>534. &#8211; Diosc\u00f3rides de Mateolo.<\/div>\n<\/li>\n<li>\n<div>535. &#8211; Abrahan Ortelio. mapas.<\/div>\n<\/li>\n<li>\n<div>536. &#8211; Serlio de Architectura.<\/div>\n<\/li>\n<li>\n<div>537. &#8211; Oracio en romance.<\/div>\n<\/li>\n<li>\n<div>538. &#8211; Pedro Cataneo de Architectura.<\/div>\n<\/li>\n<li>\n<div>539. &#8211; Ritos de los Indios en la Isla Virginia.<\/div>\n<\/li>\n<li>\n<div>540. &#8211; America pars sexta.<\/div>\n<\/li>\n<li>\n<div>541. &#8211; America nona postrema.<\/div>\n<\/li>\n<li>\n<div>542. &#8211; America pars quarta.<\/div>\n<\/li>\n<li>\n<div>543. &#8211; Teatro del Mundo.<\/div>\n<\/li>\n<li>\n<div>545. &#8211; Sciencia Matematicas de Nejarense.<\/div>\n<\/li>\n<li>\n<div>546. &#8211; Transformacion de Ludovino Dolfe, italiano.<\/div>\n<\/li>\n<li>\n<div>547. &#8211; Obras de Genofonte.<\/div>\n<\/li>\n<li>\n<div>548. &#8211; Bocabulario espa ol italiano.<\/div>\n<\/li>\n<li>\n<div>549. &#8211; Cronolog\u00eda y repertorio de los tiempos.<\/div>\n<\/li>\n<li>\n<div>550. &#8211; D\u00e9cada de Tito Livio, italiano.<\/div>\n<\/li>\n<li>\n<div>551. &#8211; Mobimiento de los planetas.<\/div>\n<\/li>\n<li>\n<div>552. &#8211; Plinio de natural historia, lat\u00edn.<\/div>\n<\/li>\n<li>\n<div>553. &#8211; Antonio Labaco, Architectura.<\/div>\n<\/li>\n<li>\n<div>554. &#8211; Alberto Durero, Geometr\u00eda.<\/div>\n<\/li>\n<li>\n<div>555. &#8211; Andrea Besalio medico.<\/div>\n<\/li>\n<li>\n<div>556. &#8211; Architectura de Vitrubio, italiano.<\/div>\n<\/li>\n<li>\n<div>557. &#8211; Libro de dibujos y estampas, grande.<\/div>\n<\/li>\n<li>\n<div>558. &#8211; Leonardo de Vinci, de la pintura.<\/div>\n<\/li>\n<li>\n<div>559. &#8211; Iconologia de Cesare Ripa con estampas.<\/div>\n<\/li>\n<li>\n<div>560. &#8211; Libro peque o de estampas.<\/div>\n<\/li>\n<li>\n<div>561. &#8211; Pedro Antonio Darca de Architectura.<\/div>\n<\/li>\n<li>\n<div>562. &#8211; Establecimientos de Santiago.<\/div>\n<\/li>\n<li>\n<div>563. &#8211; Metamorfosis en Romance.<\/div>\n<\/li>\n<li>\n<div>564. &#8211; Lucidario poetico.<\/div>\n<\/li>\n<li>\n<div>565. &#8211; Auroras de diana.<\/div>\n<\/li>\n<li>\n<div>566. &#8211; Arte poetico.<\/div>\n<\/li>\n<li>\n<div>567. &#8211; Poetas.<\/div>\n<\/li>\n<\/ul>\n<p>Is it not a list of spine-tingling beauty? \u00a0(Apologies for not publishing this sooner.) \u00a0By the way, if anyone should be fluent in English and Spanish and could give me an <em>exact<\/em> translation, I would be grateful&#8230; though knowing Italian, most is easy to deduce.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Often before I leave on a trip I print and assemble a packet of articles to read along the way. \u00a0In the Summer of 2010 I collected a series of essays and investigations on Velazquez. \u00a0These included: &#8220;Sargent after Velazquez&#8221; by Richard Ormond and Mary Pixley pulished in The Burlington Magazine in September of 2003; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,24],"tags":[6],"class_list":["post-379","post","type-post","status-publish","format-standard","hentry","category-art-math","category-masters","tag-velazquez"],"_links":{"self":[{"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/posts\/379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/comments?post=379"}],"version-history":[{"count":8,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/posts\/379\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/posts\/379\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/media?parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/categories?post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.americanartistinrome.com\/plog\/wp-json\/wp\/v2\/tags?post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}